SUMMER READING:
1st meeting: Monday, Sept. 25
A Piece of the World by Christina Baker Kline
Moderator: Dolly Parker
http://christinabakerkline.com/
From the #1 New York Times bestselling author of the smash bestseller ORPHAN TRAIN, a stunning and atmospheric novel of friendship, passion and art, inspired by Andrew Wyeth’s mysterious and iconic painting Christina’s World.
The Elegance of the Hedgehog by Muriel Barbery
Moderator Marcy Gamzon
The Elegance of the Hedgehog (French: L'Élégance du hérisson) is a novel by the French novelist and philosophy teacher[1] Muriel Barbery. The book follows events in the life of a concierge, Renée Michel, whose deliberately concealed intelligence is uncovered by an unstable but intellectually precocious girl named Paloma Josse. Paloma is the daughter of an upper-class family living in the upscale Parisian apartment building where Renée works.
1st meeting: Monday, Sept. 25
A Piece of the World by Christina Baker Kline
Moderator: Dolly Parker
http://christinabakerkline.com/
From the #1 New York Times bestselling author of the smash bestseller ORPHAN TRAIN, a stunning and atmospheric novel of friendship, passion and art, inspired by Andrew Wyeth’s mysterious and iconic painting Christina’s World.
"Later he told me that he’d been afraid to show me the painting. He thought I wouldn’t like the way he portrayed me: dragging myself across the field, fingers clutching dirt, my legs twisted behind. The arid moonscape of wheatgrass and timothy. That dilapidated house in the distance, looming up like a secret that won’t stay hidden."
To Christina Olson, the entire world was her family’s remote farm in the small coastal town of Cushing, Maine. Born in the home her family had lived in for generations, and increasingly incapacitated by illness, Christina seemed destined for a small life. Instead, for more than 20 years, she was host and inspiration for the artist Andrew Wyeth, and became the subject of one of the best known American paintings of the 20th century.
As she did in her beloved smash bestseller ORPHAN TRAIN, Christina Baker Kline interweaves fact and fiction in a powerful novel that illuminates a little-known part of America’s history. Bringing into focus the flesh-and-blood woman behind the portrait, she vividly imagines the life of a woman with a complicated relationship to her family and her past, and a special bond with one of our greatest modern artists.
Told in evocative and lucid prose, A PIECE OF THE WORLD is a story about the burdens and blessings of family history, and how artist and muse can come together to forge a new and timeless legacy.
Discussion Questions
We'll add publisher questions if and when they're available; in the meantime, please use our LitLovers talking points to start a discussion for A Piece of the World...then take off on your own:
1. A good place to start a discussion of A Piece of the World is by considering Wyeth's painting, Christina's World. What does the painting exude, how would you describe its mood? Why might Wyeth have chosen not to reveal Christina's face? Observing the painting how does Christine strike you?
2. Now consider the novel. Do you think Christina Baker Kline captures the essence of Wyeth's painting? Is her own "drawing" of Christine what you might expect from the painting? More...or less than? Different?
3. Follow-up to Question 2: Describe Christine and the hardships she faces in her life. Talk about her debilitating disease. No one seems to pity her; is she deserving of pity in your eyes? Is she deserving of pity in her own eyes?
4. What was life like in Maine for Christine and her family in Cushing, Maine? Does Kline's portrayal detract at all from the nostalgic sheen which bygone eras sometimes create in us? Was there once an idyllic rural past?
5. In what way does Andrew Wyeth open up Christine's life? What does he show her about her surroundings? How does Kline portray Christine and Andy's attachment to one another?
6. Emily Dickinson's poetry and life seem to loom large in Christine's imagination. What does Christine find in the poet's work that inspires her?
(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)
We'll add publisher questions if and when they're available; in the meantime, please use our LitLovers talking points to start a discussion for A Piece of the World...then take off on your own:
1. A good place to start a discussion of A Piece of the World is by considering Wyeth's painting, Christina's World. What does the painting exude, how would you describe its mood? Why might Wyeth have chosen not to reveal Christina's face? Observing the painting how does Christine strike you?
2. Now consider the novel. Do you think Christina Baker Kline captures the essence of Wyeth's painting? Is her own "drawing" of Christine what you might expect from the painting? More...or less than? Different?
3. Follow-up to Question 2: Describe Christine and the hardships she faces in her life. Talk about her debilitating disease. No one seems to pity her; is she deserving of pity in your eyes? Is she deserving of pity in her own eyes?
4. What was life like in Maine for Christine and her family in Cushing, Maine? Does Kline's portrayal detract at all from the nostalgic sheen which bygone eras sometimes create in us? Was there once an idyllic rural past?
5. In what way does Andrew Wyeth open up Christine's life? What does he show her about her surroundings? How does Kline portray Christine and Andy's attachment to one another?
6. Emily Dickinson's poetry and life seem to loom large in Christine's imagination. What does Christine find in the poet's work that inspires her?
(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.)
The Elegance of the Hedgehog by Muriel Barbery
Moderator Marcy Gamzon
The Elegance of the Hedgehog (French: L'Élégance du hérisson) is a novel by the French novelist and philosophy teacher[1] Muriel Barbery. The book follows events in the life of a concierge, Renée Michel, whose deliberately concealed intelligence is uncovered by an unstable but intellectually precocious girl named Paloma Josse. Paloma is the daughter of an upper-class family living in the upscale Parisian apartment building where Renée works.
Featuring a number of erudite characters, The Elegance of the Hedgehog is full of allusions to literary works, music, films, and paintings. It incorporates themes relating to philosophy, class consciousness, and personal conflict. The events and ideas of the novel are presented through the thoughts and reactions, interleaved throughout the novel, of two narrators, Renée and Paloma. The changes of narrator are marked by switches of typeface. In the case of Paloma, the narration takes the form of her written journal entries and other philosophical reflections; Renée's story is also told in the first person but more novelistically and in the present tense.
First released in August 2006 by Gallimard, the novel became a publishing success in France the following year, selling over two million copies. It has been translated into more than forty languages, and published in numerous countries outside France, including the United Kingdom (Gallic Books, London) and the United States (Europa Editions, New York), and has attracted critical praise.
Discussion Questions
1. True life is elsewhere…
One French critic called The Elegance of the Hedgehog “the ultimate celebration of every person’s invisible part.” How common is the feeling that a part of oneself is invisible to or ignored by others? How much does this “message” contribute to the book’s popularity? Why is it sometimes difficult to show people what we really are and to have them appreciate us for it?
1. True life is elsewhere…
One French critic called The Elegance of the Hedgehog “the ultimate celebration of every person’s invisible part.” How common is the feeling that a part of oneself is invisible to or ignored by others? How much does this “message” contribute to the book’s popularity? Why is it sometimes difficult to show people what we really are and to have them appreciate us for it?
2. This book will save your life…
The Elegance of the Hedgehog has been described as “a toolbox one can look into to resolve life’s problems,” a “life-transforming read,” and a “life-affirming book.” Do you feel this is an accurate characterization of the novel? If so, what makes it thus: the story told, the characters and their ruminations, something else? Can things like style, handsome prose, well-turned phrases, etc. add up to a life-affirming book independently of the story told? To put it another way—Renée Michel’s way—can an encounter with pure beauty change our lives?
The Elegance of the Hedgehog has been described as “a toolbox one can look into to resolve life’s problems,” a “life-transforming read,” and a “life-affirming book.” Do you feel this is an accurate characterization of the novel? If so, what makes it thus: the story told, the characters and their ruminations, something else? Can things like style, handsome prose, well-turned phrases, etc. add up to a life-affirming book independently of the story told? To put it another way—Renée Michel’s way—can an encounter with pure beauty change our lives?
3. —a rose
By any other name would smell as sweet. Both Renée and Paloma use stereotypes to their benefit, hiding behind the perceptions others have of their roles. Our understanding and appreciation of people is often limited to a superficial acknowledgement of their assigned roles, their social monikers—single mother, used car salesman, jock, investment banker, senior citizen, cashier… While we are accustomed to thinking of people as victims of stereotypes, is it possible that sometimes stereotypes can be useful? When, under what circumstances, and why, might we welcome an interpretation based on stereotypes of our actions or of who we are? Have you ever created a mise en place that conforms to some stereotype in order to hide a part of yourself?
By any other name would smell as sweet. Both Renée and Paloma use stereotypes to their benefit, hiding behind the perceptions others have of their roles. Our understanding and appreciation of people is often limited to a superficial acknowledgement of their assigned roles, their social monikers—single mother, used car salesman, jock, investment banker, senior citizen, cashier… While we are accustomed to thinking of people as victims of stereotypes, is it possible that sometimes stereotypes can be useful? When, under what circumstances, and why, might we welcome an interpretation based on stereotypes of our actions or of who we are? Have you ever created a mise en place that conforms to some stereotype in order to hide a part of yourself?
4. “One of the strengths I derive from my class background is that I am accustomed to contempt.” (Dorothy Allison)
Some critics call this novel a book about class. Barbery herself called Renée Michel, among other things, a vehicle for social criticism. Yet for many other readers and reviewers this aspect is marginal. In your reading, how integral is social critique to the novel? What kind of critique is made? Many pundits were doubtful about the book’s prospects in the US for this very reason: a critique of French class-based society, however charming it may be, cannot succeed in a classless society. Is the US really a classless society? Are class prejudices and class boundaries less pronounced in the US than in other countries? Are the social critique elements in the book relevant to American society?
Some critics call this novel a book about class. Barbery herself called Renée Michel, among other things, a vehicle for social criticism. Yet for many other readers and reviewers this aspect is marginal. In your reading, how integral is social critique to the novel? What kind of critique is made? Many pundits were doubtful about the book’s prospects in the US for this very reason: a critique of French class-based society, however charming it may be, cannot succeed in a classless society. Is the US really a classless society? Are class prejudices and class boundaries less pronounced in the US than in other countries? Are the social critique elements in the book relevant to American society?
5. Hope I die before I get old…
Paloma, the book’s young protagonist, tells us that she plans to commit suicide on the day of her thirteenth birthday. She cannot tolerate the idea of becoming an adult, when, she feels, one inevitably renounces ideals and subjugates passions and principles to pragmatism. Must we make compromises, renounce our ideals, and betray our youthful principles when we become adults? If so, why? Do these compromises and apostasies necessarily make us hypocrites? At the end of the book, has Paloma re-evaluated her opinion of the adult world or confirmed it?
Paloma, the book’s young protagonist, tells us that she plans to commit suicide on the day of her thirteenth birthday. She cannot tolerate the idea of becoming an adult, when, she feels, one inevitably renounces ideals and subjugates passions and principles to pragmatism. Must we make compromises, renounce our ideals, and betray our youthful principles when we become adults? If so, why? Do these compromises and apostasies necessarily make us hypocrites? At the end of the book, has Paloma re-evaluated her opinion of the adult world or confirmed it?
6. Kigo: the 500 season words…
Famously, the Japanese language counts twelve distinct seasons during the year, and in traditional Japanese poetry there are five hundred words to characterize different stages and attributes assigned to the seasons. As evidenced in its literature, art, and film, Japanese culture gives great attention to detail, subtle changes, and nuances. How essential is Kakuro’s being Japanese to his role as the character that reveals others’ hidden affinities? Or is it simply his fact of being an outsider that matters? Could he hail from Tasmania and have the same impact on the story?
Famously, the Japanese language counts twelve distinct seasons during the year, and in traditional Japanese poetry there are five hundred words to characterize different stages and attributes assigned to the seasons. As evidenced in its literature, art, and film, Japanese culture gives great attention to detail, subtle changes, and nuances. How essential is Kakuro’s being Japanese to his role as the character that reveals others’ hidden affinities? Or is it simply his fact of being an outsider that matters? Could he hail from Tasmania and have the same impact on the story?
7. Circumstances maketh the woman…
Adolescent children and the poor are perhaps those social groups most prone to feel themselves trapped in situations that they cannot get out of, that they did not choose, and that condition their entire outlook. Some readers have baulked at the inverse snobbery with which the main characters in The Elegance of the Hedgehog initially seem to view the world around them and the people who inhabit it. Is this disdain genuine or a well-honed defence mechanism provoked by their circumstances? If the later, can it therefore be justified? Do Renée’s and Paloma’s views of the world and the people who surround them change throughout the book? Would Paloma and Renée be more prone to fraternal feelings if their circumstances were different?
Adolescent children and the poor are perhaps those social groups most prone to feel themselves trapped in situations that they cannot get out of, that they did not choose, and that condition their entire outlook. Some readers have baulked at the inverse snobbery with which the main characters in The Elegance of the Hedgehog initially seem to view the world around them and the people who inhabit it. Is this disdain genuine or a well-honed defence mechanism provoked by their circumstances? If the later, can it therefore be justified? Do Renée’s and Paloma’s views of the world and the people who surround them change throughout the book? Would Paloma and Renée be more prone to fraternal feelings if their circumstances were different?
8. “Unprovided with original learning, unformed in the habits of thinking, unskilled in the arts of composition, I resolved to write a book.” (Edward Gibbon)
In one of the book’s early chapters, Renée describes what it is like to be an autodidact. “There are days when I feel I have been able to grasp all there is to know in one single gaze, as if invisible branches suddenly spring out of nowhere, weaving together all the disparate strands of my reading—and then suddenly the meaning escapes, the essence evaporates, and no matter how often I reread the same lines, they seem to flee ever further with each subsequent reading, and I see myself as some mad old fool who thinks her stomach is full because she’s been attentively reading the menu. Apparently this combination of ability and blindness is a symptom exclusive to the autodidact.” How accurately does this describe sensations common to autodidacts? What are the advantages and disadvantages of being self-taught?
In one of the book’s early chapters, Renée describes what it is like to be an autodidact. “There are days when I feel I have been able to grasp all there is to know in one single gaze, as if invisible branches suddenly spring out of nowhere, weaving together all the disparate strands of my reading—and then suddenly the meaning escapes, the essence evaporates, and no matter how often I reread the same lines, they seem to flee ever further with each subsequent reading, and I see myself as some mad old fool who thinks her stomach is full because she’s been attentively reading the menu. Apparently this combination of ability and blindness is a symptom exclusive to the autodidact.” How accurately does this describe sensations common to autodidacts? What are the advantages and disadvantages of being self-taught?
9. The Philosopher’s Stone…
Much has been made of the book’s philosophical bent. Some feel that the author’s taste for philosophy and her having woven philosophical musings into her characters’ ruminations, particularly those of Renée, hampers the plot; others seem to feel that it is one of the book’s most appealing attributes. What effect did the philosophical elements in this book have on you and your reading? Can you think of other novels that make such overt philosophical references? Which, and how does Hedgehog resemble or differ from them?
Much has been made of the book’s philosophical bent. Some feel that the author’s taste for philosophy and her having woven philosophical musings into her characters’ ruminations, particularly those of Renée, hampers the plot; others seem to feel that it is one of the book’s most appealing attributes. What effect did the philosophical elements in this book have on you and your reading? Can you think of other novels that make such overt philosophical references? Which, and how does Hedgehog resemble or differ from them?
10. A Bridge across Generations…
Renée is fifty-four years old. Paloma, the book’s other main character, is twelve. Yet much of the book deals with these two ostensibly different people discovering their elective affinities. How much is this book about the possibilities of communication across generations? And what significance might the fact that Renée is slightly too old to be Paloma’s mother, and slightly too young to be her grandmother have on this question of intergenerational communication?
Renée is fifty-four years old. Paloma, the book’s other main character, is twelve. Yet much of the book deals with these two ostensibly different people discovering their elective affinities. How much is this book about the possibilities of communication across generations? And what significance might the fact that Renée is slightly too old to be Paloma’s mother, and slightly too young to be her grandmother have on this question of intergenerational communication?
11. Some stories are universal…
The Elegance of the Hedgehog has been published in thirty-five languages, in over twenty-five countries. It has been a bestseller in France, Spain, Germany, Italy, South Korea, and America. In many other countries, while it may not have made the bestseller lists, it nonetheless has enjoyed considerable success. In the majority of these cases, success has come despite modest marketing, despite the author’s reticence to appear too often in public, and her refusal to appear in television, and despite relatively limited critical response. The novel has reached millions of readers largely thanks to word-of-mouth. What, in your opinion, makes this book so appealing to people? And why, even when compared to other beloved and successful books, is this one a book that people so frequently talk about, recommend to their friends, and give as gifts? And what, if anything, does the book’s international success say about the universality of fictional stories today?
The Elegance of the Hedgehog has been published in thirty-five languages, in over twenty-five countries. It has been a bestseller in France, Spain, Germany, Italy, South Korea, and America. In many other countries, while it may not have made the bestseller lists, it nonetheless has enjoyed considerable success. In the majority of these cases, success has come despite modest marketing, despite the author’s reticence to appear too often in public, and her refusal to appear in television, and despite relatively limited critical response. The novel has reached millions of readers largely thanks to word-of-mouth. What, in your opinion, makes this book so appealing to people? And why, even when compared to other beloved and successful books, is this one a book that people so frequently talk about, recommend to their friends, and give as gifts? And what, if anything, does the book’s international success say about the universality of fictional stories today?
12. “…a text written above all to be read and to arouse emotions in the reader.”
In a related question, The Elegance of the Hedgehog has been described as a “book for readers” as opposed to a book for critics, reviewers, and professors. What do you think is meant by this? And, if the idea is that it is a book that pleases readers but not critics, do you think this could be true? If so, why?
(Questions issued by publisher.)
In a related question, The Elegance of the Hedgehog has been described as a “book for readers” as opposed to a book for critics, reviewers, and professors. What do you think is meant by this? And, if the idea is that it is a book that pleases readers but not critics, do you think this could be true? If so, why?
(Questions issued by publisher.)
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ReplyDeleteBlog for Muriel Barbery’s The Elegance of the Hedgehog
ReplyDeleteI first encountered this novel several years ago and was profoundly moved by the characters and the setting, but my initial love originated in the title: the hedgehogs. Besides the spiky visual, most charmingly portrayed in the German Mecki, the concierge Renee embodied these unassuming, “short, ugly, plump” creatures. Like them, she was curious about the world, and so the novel is peppered with her wry observations of the tenants who reside in the Parisian apartment complex. She astutely observes their attire and mannerisms, keenly finding literary parallels to their behaviors in the likes of Proust or the philosophy of Kant or the Chardin exhibition in the Petit Palais. It’s easy to share in her intellectual romps, as we wend along her sensory perceptive observations on the vagaries of the buildings occupants. As a counterpoint to Renee is the twelve-year-old Paloma, who shares her own numerically ordered “profound thoughts.” Both are “hungry souls” and as such share a love of Japanese culture, linked by the arrival of Mr. Ozu, who in turn recognizes that the hedgehog “being blind in broad daylight [is able] to see in pitch dark what sight is all about.” In my second time around with the novel, I eschewed the hedgehog’s death. It was too much to bear again.
Here is a link to the picture of the Mecki. The blog won't let me post the image, but really is this not how you would imagine her? https://i.pinimg.com/236x/56/0e/6b/560e6baf8385e4dc39c65f45a5590a3f.jpg